#PROGRAM LIKE PANOLAPSE HOW TO#
#PROGRAM LIKE PANOLAPSE MANUAL#
#PROGRAM LIKE PANOLAPSE FULL#
#PROGRAM LIKE PANOLAPSE SOFTWARE#

#PROGRAM LIKE PANOLAPSE MANUAL#

For white balance, pick one of the pre-sets it doesn’t really matter which as long as it’s manual and therefore consistent (I generally choose Fine/Sunny). Lock all your other settings down in manual. Yes, the flicker is going to be terrible, but with long term time-lapse this is something you have to deal with in post-production, not at the shooting stage.

#PROGRAM LIKE PANOLAPSE HOW TO#

When you’re shooting long term time-lapse you’re going to experience every lighting condition possible across the days, weeks and years of your sequence, so you need to be on Aperture Priority to let the camera work out how to expose for each shot.

When setting up your camera, use Aperture Priority and lock everything else down in manual. If you’re new to long-term timelapse or construction timelapse, it’s easy to underestimate what’s involved.Ĭheck this great resource by photoSentinel too, before moving forward with the tutorial: Long-Term & Construction Timelapse: Ten Mistakes Photographers Must Avoid (Bonus Tips) However, there are a few key things that apply across the board, and in this article, I’ll share 6 of them: 3 production tips and 3 post-production tips.īefore you start reading, please note that Matt Salter wrote also an amazing piece of content for Time Lapse Network dedicated to the topic of How to choose long term time-lapse equipment.

#PROGRAM LIKE PANOLAPSE SOFTWARE#

Matt is the Marketing and Communications Manager at photoSentinel, whose equipment and software enable professional content creators around the world to grow their businesses by providing long term time-lapse to construction and other big industry.Īs with everything in production and post-production, there are countless considerations to shooting and editing long term time-lapse, many of which you can only find out by trial and error.Īnd, of course, once you start, you’ll develop your own style, your own workflow, your own unique creative signature. The results are breathtaking.Matt Salter shares his best advice for shooting and editing professional long-term time-lapse videos the right way, and teaches us to avoid the typical errors which you only find out by trial and experience. The software flattens the circular image to remove the fisheye effect, and then adds pans and tilts across the resulting frames. This was accomplished by using the fisheye lens to record ultra-wide shots, and then running the shots through an application called Panolapse. But they’ve added another element of motion by adding a pan effect across some scenes. Cars flow through the streets as if they were Manhattan’s bloodstream, and the lights of the buildings pulse in slow, deliberate breaths. Even with stationary cameras-a requirement of time-lapse-the city appears as a living, breathing, organism. One thing that Seventh Movement really nailed here is the frenetic pace and motion of daily life in the different boroughs of New York. For lenses, they stuck mostly with a 17mm Canon tilt shift, an 8-15mm Canon fisheye, and a 15mm Zeiss. It’s made up of 321 different time-lapses, photographed over a two week period with eight different cameras: six Canon 5DIIIs and two Red Epics. Seventh Movement is really just two guys-Thom McCallum and Vin Guglielmina-and this video is a testament to their creativity with the format.

#PROGRAM LIKE PANOLAPSE FULL#

One thing that doesn’t change about New York, though, is its energy, which is on full display in this amazing time-lapse “mixtape” put together by production company Seventh Movement: And, of course, the absence of two buildings from the skyline is still all too apparent. Soldiers with M-16s stand guard at Grand Central Station, walking through Times Square feels like you’re on line for something at Disney World, and the misfits have been driven out of the Village, replaced by European tourists and artisinal rice pudding shops.

Program like panolapse